Neat Motifs

These imaginitive themes add sparkle to events

Orient-Express invitations

Martha
Bindeman’s
Finishing Touches
themed one 
event around
the famed globe-
trotting Orient
Express, using
table settings to
delicately conjure
(clockwise, from
top left) Paris,
Cairo, Venice and
Istanbul.

“Theme parties have taken on a somewhat different complexion now,” says Andrea Michaels, president of Sherman Oaks, Calif.-based Extraordinary Events, “especially in the world of corporate events.” Although themes still are popular, she notes, some of the old favorites are fading. “The reality is that very few major players in high-tech companies right now are old enough to have any clue what a ’20s or even a ’50s party would be about.”
    Whether or not for reasons of generational turnover, a growing number of corporations have retired familiar themes and are leveraging the power of an event to make a clear and unique statement. Following are some colorful examples of what creative planners can do to connote that an organization is growing, setting goals or just plain rewarding its employees.

Picture sphereGoing global
When San Mateo, Calif.-based consulting company Siebel Systems asked Extraordinary Events to organize a party that would boldly declare Siebel’s global presence, Michaels came up with a high-energy evening called World Beat, theming her event around the one language that translates across all borders: music.
    Michaels held the event in an outdoor parking lot near an amphitheater and suspended one enormous white globe 15 feet above attendees’ gawking heads. All evening, as guests milled about buffet stations offering fare from Asia, the Greek Isles, Mexico and other parts of the world (each branded with the evening’s specially designed World Beat logo), projectors from eight different directions were trained on the globe, screening hours of footage (compiled by Michaels and her team) of cultures around the world playing, singing and dancing to music.
    A band specializing in world music was versatile enough to provide sonic backdrop for all the nationalities depicted on screen, especially effective when the music corresponded with the globe’s continually changing footage.
    Michaels dressed the tables in colors conjuring NASA satellite images of Earth from afar, focusing on cobalt blues, rich purples and terra cottas.
Finally, to ensure that no attendee would soon forget the evening or her client’s pan-global identity Michaels ended dinner with a surprise: Two troops of drummers and dancers African and Latin twirled into the room, ushered attendees into a conga line and led them to the adjacent amphitheater, where they were treated to African acrobatics and a Latin salsa performance. Driving the pluralism-through-music message all the way home, the two groups then merged and performed as one, with the enthusiastic help of an amphitheater full of dancing Siebel employees.

BEACHY KEEN
Beach motifAlthough traditional themes might be on the wane, the sun has not yet set on the corporate beach party. Andrea Michaels, president of Sherman Oaks, Calif.-based Extraordinary Events, offers these tips on how even an old yeller like the beach blast can be elevated to fresh, stylish fun.
    " Find a beach. “As far as holding a beach party in a ballroom, I personally don’t get it,” Michaels says. “After all, it’s an empty shell.” Begrudgingly, she does offer one tip to those bound to the great indoors: “There are ballrooms that will let you lay plastic over their floors and put down sand.”
    " Project! Rather than relying on Frankie and Annette types to set the mood at her last beach affair, Michaels projected vintage surfer footage (“and not the hokey stuff”) on fabric panels tied between palm trees.
    " Lose the hot dogs. Nothing says, “I barely care” like frankfurters on buns. Delicious and beach-appropriate fare can be more thoughtfully prepared, say experts. Michaels recommends clams, lobster and anything else one doesn’t typically serve on paper plates.
    " Be elegant. Michaels’ favorite beach party was a black-tie affair last year. Guests were told to come in tuxes and ballroom gowns sans one accessory: shoes. (Ladies, of course, were treated to afternoon pedicures to maintain some sense of dignity.) Attendees enjoyed a splendid open-air repast and sand in their toes, for an evening that was both sophisticated and liberating. -- M.D.R.

Making tracks
Of course, music isn’t the only means for emphasizing global reach. Martha K. Bindeman, principal and owner of Bethesda, Md.-based Finishing Touches Events LLC, took inspiration from the legendary Orient Express. Charged with helming the 2005 Capital Awards Gala for the International Special Events Society, Bindeman re-created the historic train and its Europe-spanning route right in the ballroom of the Ritz-Carlton, Washington, D.C.
Bindeman oriented her guests to the decidedly elegant theme early on by sending out mock passports as invitations, and tickets to the pre-gala nominee reception were printed on luggage tags. Guests were guided into the gala through a set of doors marked “Track One” through “Track Five.” What they found inside was a ballroom whose perimeter traveled through five of the famous train’s major destinations: Asia, Egypt, France, Istanbul and Italy.
    Using sheer drapes to divide the ballroom’s distinct areas, Bindeman didn’t stop at linens when it came to giving each space its own character. Aside from ornate painted murals hung behind every station, even the tables and chairs were markedly different. For example, guests dining in the Egyptian segment sat on Gothic wood and velvet chairs at long, dark tables, while Istanbul passengers settled on fabric-covered benches at square, tented tables with lone Moroccan lanterns for centerpieces.
    To further set the mood, Bindeman projected vintage black-and-white film footage of trains on the walls. And to kick off a delectable, multinational meal, guests were treated to a “passport trio” made up of drunken scallop with sake, imam byaldi-stuffed baby eggplant and spicy lamb seekh kebab. Dessert individual dark chocolate trains transported guests to theme food nirvana.

Letting them sparkle
Cheryl Fisch, vice president of Las Vegas-based MGM Mirage Events, was approached by a company last year looking to hold an awards banquet that made everyone feel like a winner. “We thought about how to make all the attendees feel appreciated,” Fisch says, “and that’s when I started working with the idea of jewels.”
    Gem-embossed invites were sent to all 1,500 “jewels of the company,” praising them for adding “luster, clarity, sparkle, perfection and beauty” to their respective departments.
    When guests arrived at the lavishly appointed ballroom, they found themselves in an enormous jewelry box, with all walls covered in black velvet. Attendees were grouped together by department, and each group was seated at a 50-foot-long table themed from the color-coded sateen runner linens to the 12-foot-tall, three-dimensional gem jewel structures that stood tableside around its own gem: emerald, ruby, sapphire, diamond or amethyst. Crystal centerpieces, platinum and gold-leafed chargers, and neatly bejeweled goblets added sheen and extravagance to the decidedly unhumble proceedings.
    The ceiling drizzled with 24 oversize chandeliers, glowing in all of the evening’s hues until the emcee would call on any one of the departments, at which point every chandelier would simultaneously change to the spotlighted group’s color.
    Fisch left most of the food unthemed, prioritizing taste over gimmick, but dessert brought an elegant finale to the evening’s motif: pastry jewel boxes, complete with spun sugar jewels on top.

Feeling their pain
New Orleans-based Signature Events is used to clients looking for themes that tie into New Orleans’ rich gospel heritage, as well as its darker voodoo connections. When one local company asked the group to work its standard heaven-and-hell wonders on an annual sales event last year, however, Signature planners Shelley Pigeon Rote, CMP, and Jill DiMarco, CMP, took to the challenge with devilish glee and added a third station to the popular party: purgatory, based on the worst nightmares of any corporate employee.
    “We figured it should be filled with everything that makes you crazy in life,” DiMarco says. Therefore, aside from the occasional walking zombie or creepy window pane projection of an unblinking eyeball, the real horrors of this purgatory came in the form of broken computer monitors, scattered Rolodex cards, malfunctioning TV screens and one particularly chilling announcement broadcast every few moments: “Your flight has been delayed.”
    The terror was enough to drive traumatized attendees quickly through to the comparably dreamy hell room, slathered in red decor and stuffed with cozy couches, or the surprisingly naughty heaven station, complete with vodka luges set on enormous angel-wing ice sculptures. By evening’s end, however, it was the event’s most fleetly fled station that won the night’s most glowing compliments.

Morroccan motifLiving like kings
Miami-based meeting planners The Patton Group, along with A Joy Wallace Catering Production and Karla Drascal of decor company RBK Productions, all were enlisted to help reward the top employees of a local security equipment manufacturer for a particularly strong year. They decided to treat their guests to a feast fit for a king literally.
    Leasing out a private and ornate mansion in the celeb-heavy neighborhood of Star Island, the team went for unsubtle opulence, particularly of the Moroccan royalty variety.
    Before sitting down to dinner, guests spent the starry evening lolling by a pool on white-and-tanned wood opium beds crowded with enormous silk pillows and dotted with hookahs.
    For entertainment, the evening’s new royalty enjoyed a full battery of snake charmers, magicians and belly dancers.
    For dinner, all 60 attendees of the evening affair were seated at one long table, draped in Shiseido red linen and littered with abundant grape clusters and antique candelabras. Most of the evening’s food bore the vague but heady influence of Moroccan lavishness, even down to the bar snacks, which consisted of cumin popcorn, fennel parmesan almonds, and rosemary and rock salt yuca. An assorted flatbreads table offered a plethora of unexpected varieties, including pear, lobster, and a surprising blend of grouper, curried mango and goat cheese. For dessert, the honorees were treated to guava baklava on a bed of vanilla bean sauce with lychee sorbet.
    A color scheme of white, burnt orange, burgundy and gold, as well as the service staff’s Turkish tunic uniforms, all contributed to the prevailing veneer of exotic chic. In the words of Joy Wallace’s director of sales, Carlos Berrios, “It was pretty much Moroccan palace meets South Beach.”

Mountain motifClimbing mountains
When representatives of a national insurance company approached Kevin Verronneau, general manager and director of creative services for New York City-based Event Designs New York, to create an event to take place during a three-day conference, they told him their agenda, which included goals such as improving the company’s training, recruiting and overall conduct of the weekly sales meeting.
    Verronneau, whose clientele tends to hail from the fashion and cosmetics industries, here went a more rustic route and designed an inspiring mountain-climbing theme, endowing the insurance company’s aspirations with all the glamour and brisk exhilaration of extreme winter sports.
    Six large, snow-capped rocks, each emblazoned with a goal from the agenda, were lined up on the ballroom stage. Flanking the stage were two screens filled with wide, snowy landscapes. And every award winner who took the stage was hit by a dramatic, if soap-based, blizzard, courtesy a synchronized battery of off-stage snow machines.
    To help marry the theme with its purpose, Verronneau brought in a motivational speaker who had led a group of climbers up to the summit of Mt. Everest. “The teamwork element there was obvious,” notes Verronneau, adding that it carried dire consequences: “If his team doesn’t work together, they all die.”
    Although the event didn’t include dinner, Verronneau believes a sit-down meal would have provided a great opportunity for extending the theme even further. Centerpieces for an event like this, he muses, could be multi-tiered towers festooned with climbing ropes and carabiners and dressed in woodsy elements like bark and stone, with flurries of mock snow for atmosphere. Let a few flowers poke through to add an element of color to room and also to suggest growth and renewal.
    Bowls of hearty trail mix could be set out in bar areas or on banquet tables, Verronneau suggests.